Feist // Music // # // Tuesday October 11, 2011 // 3 notes

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Metals displays a shift in Feist’s perspective as a songwriter; after The Reminder she’s said she’s now less interested in writing songs that could be read as intimate and personal but instead crafting lyrics that read almost like sparse proverbs. (She’s likened some of the lines on Metals to ‘adages and morals that you find embroidered in junk shops.’) The resulting tracks feel universal, and not unlike Bill Callahan’s Apocalypse, in their attempts to … contrast the elegance of the things around us with the weird, erratic ways of human beings.”Lindsay Zoladz.

Chicago // Gold Coast // # // Tuesday, October 11, 2011 // 2 notes

Boardwalk Empire // HBO // # // Monday, September 26, 2011 // 7 notes

The Office // Dwight Schrute // Meditation // # // Friday, September 23, 2011 // 45 notes

Muir Woods // The Bay // # // Friday September 16, 2011 //

Golden Gate Park // San Francisco // Thomas Pynchon // # // Thursday, September 15, 2011 // 1 note

“In Golden Gate Park, she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they’d been up most of the night.” — Thomas Pynchon, The Crying of Lot 49 

“In Golden Gate Park, she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they’d been up most of the night.” — Thomas Pynchon, The Crying of Lot 49 

San Francisco // John Steinbeck // # // Thursday, September 15, 2011 // 4 notes

Venice Beach // # // Wednesday, September 14, 2011 //

Venice Beach // # // Wednesday, September 14, 2011 // 1 note

The Getty // Los Angeles // # // Tuesday, September 13, 2011 //

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